1 pair of slipmats, made out of a smooth but strong material, unique matte surface, far more resistant to dust and other particles, extra thin and provide optimum feel for djs, comes in pairs packaged inside a sleeve

1 pair of slipmats, made out of a smooth but strong material, unique matte surface, far more resistant to dust and other particles, extra thin and provide optimum feel for djs, comes in pairs packaged inside a sleeve

1 pair of slipmats, made out of a smooth but strong material, unique matte surface, far more resistant to dust and other particles, extra thin and provide optimum feel for djs, comes in pairs packaged inside a sleeve

dekmantel regular matrixxman returns with the third, and final instalment in the sector series, part iii: polyphony. in this triptych, the producer from san fransisco sets out to highlight the key components behind the sounds and style of techno, exploring the range within the confines of a particular limitation. following parts i and ii, which looked at rhythm, and acid, charles mccloud duff charters the realm of polyphony with four, meticulously produced techno tracks, expanding his repertoire of cult, dancefloor music.

returning with another debut release, second circles eighth record to date comes this time from young viennese musician giuseppe leonardi. performed on an array of synthesizers and experimenting with spoken word and vocals from various local singers giuseppes tbc ep take us on a dance through the catacombs and out through the jungle floor with ritualistic rhythm and haunting song. whilst at other moments giuseppes horizontal ambient pieces leave us gazing out on the shores of a distant half-remembered planet.

neil landstrumm and tobias schmidt are two men responsible for modern day electronic music. when the sound crawled out of the primordial speaker, this pair were there to welcome it. for more than twenty years the two have worked together as sugar experiment station and arrive on shipwrec for their first collaboration in eight years. this is a 12- born in burning furnaces of bass. moulded in those low frequency fires, smelted in the thumping heat, are beats, beats hardened like steel before being shaped into lancing points. with these tools of rhythmic brimstone ses goes about destroying dancefloors before reinventing them. chords are rolled in gravel, doused in distortion and rinsed in static. a style forged from the friction of pistons, the sweat of the assembly line, before being dipped in a searing liquor of circuitboards and molten microchips. ses - sugar experiment station - shattering every stereotype.

for the past 15 years the tanzanian megalopolis of dar es salaam has had one of the most exciting underground electronic music scenes in east africa. a constellation of micro-scenes from mchiriku, sebene and segere all the way to its latest mutation of singeli that finally after years of lurking in the underground has exploded into the mainstream and taken over bongo flava as the music of choice amongst tanzania s youth. born in the sprawling working class neighborhoods of tandale and manzese, singeli s signature sound consists of fast paced frantic loops interlocking with each other, with influences from zanzibars tarab music all the way to south african afro-house coupled with mc s who often spit satirical lyrics about the challenges facing tanzania s youth, from police corruption to the complications of dating girls when you are broke. if there is one studio that stands out amongst the hundreds that dot dar es salaam s musical landscape it is sisso records. centered around producers, bwax, sisso, bampa pana and yung keyz morento and mc s dogo niga and makavelli, they were early pioneers of the singeli sound. whilst some singeli artists have begun fusing their music with more traditional tanzanian hip hop, sisso have remained uncompromising in their sound, always raw, fast with a punk diy aesthetic that can at times verge on noise and gabber, to produce a spell binding music that is like no other sound system culture in the region.

dualexercise_l is elaborated on the premise of collaboration and reinterpretation, it presents the original work of two artists along its respective recompositions. as a musical release produced by manchester s daniel ruane & oqko co-founder smog, dualexercise_l opens up with side a comprehended of two the original compositions which go through reinterpretation on the flip side. taking the concept of entropic degradation for focus, with harsh textural depth, twisted mechanistic noise and glimmers of breaks, bass and broken techno providing the sonic backdrop, ruane and smog serve out their singular visions of pandemonium across four slabs of high octane compositions.

reflex in waves brings together a series of sonic approaches manning has been developing for over a decade. specifically, manning’s work is concerned with waves and the impacts of their resulting vibration. quietly producing audio works out of his studio in yeronga, on the south side of brisbane city, manning’s works are based on a series of deeply personal instrument designs, tape manipulation and other exploratory approaches. his instruments, which are often percussive, use harmonically related materials that are activated by motor-driven strings. the resulting sound is a chaotic but pulse-like cluster of harmony.

vinyl only) madhouse records presents kerri chandler (remixed) this february, a package including remixes by dam swindle, josh butler, peggy gou and jimpster.

limited edition of 200 numbered copies, vinyl only release.
rare brazilian song from legendary azymuth inspired gigi during his journey in sao paulo in 2013 circa getting deeper with live shaker and drums. marsupials kicked out an eagle with more groove from their fold to spread her wings and fly, inspired by the original song like an eagle of dennis parker.

adesse versions has been dropping some choice originals and edits on a host of renowned and respected labels for the last four years and we’re proud to add him to the esteemed list of artists to release on delusions of grandeur. from early white labels on make love in public spaces and his own adesse versions label through to his recent outings on heist, numbers, razor n tape, let’s play house and local talk, he continuous to impress with his raw, sample-heavy production which brings pure energy to the dance floor. for his pulp fusion ep, adesse presents three diverse and brilliant cuts, all showing off his deft touch in the studio and providing what we feel is his strongest work to date. pulp fusion leads the a side with cutting clavinets doubling up the syncopated bassline, a super-charged romp where disco meets filtered house resulting in a track with widespread appeal despite its raw and underground approach. the a2 entitled fade out drops the bpm’s for a string-drenched, philly soul jam, heavy on percussion but with a gentle lilt and balearic vibe that makes it perfect for the wind down. last but definitely not your average b side filler we have the mighty raw in its live edit incarnation. militantly minimal in sonic palate, this jacked up house track simply rocks the spot thanks to adesses ballsy arrangement,production prowess and nasty bassline, rounding off this ep with a punch

mgmt’s fourth album marks a shift in tactics. abandoning the belabored excess of their last two albums, they opt for streamlined synth-pop.

after playing lovestar to death we reached out to see if sebastien was still feeling in an emotional mood. we discovered quickly that, in fact, this is where his creative heart lives and breathes. the two tracks featured here were conjured up (in a daydream we like to believe) in time to play out at all the summer closing events in the usa and on be tvs coverage at the bpm festival and our south american tour. already loved. already track id d and already to create more magical moments. enjoy!

mall grab joins the ava. ltd 2018 repress! this record also contains a damiano von erckert remix.

the music of giuseppe leonardi moves through the brain in psychedelic and playful ways. young giuseppe prepared his shamanic amalgamation of percussion, athmosperes and synth patterns some summers ago in the catacombs of vienna. machine sounds from a glittering future. he shifts his instruments out of the timezone and takes us on a trip in his cosy dinghy. tracks like maga and invitro are moving the dancefloor towards a cosmic universe

vinyl only. four spacious and moodful explorations mark dixia sirong s return to inner balance, the daughter label of chez damier s legendary balance imprint. vinyl only. four spacious and moodful explorations mark dixia sirong s return to inner balance, the daughter label of chez damier s legendary balance imprint. further mining the atmospherics of their debut ep, both yohji and qatarsea combine organic rhythms and dubby pads to conjure a truly meditative state. sharper edges and effects on the third original, suspicions , lend it a more purposeful air, its expansive bass worthy of the grandest of stages. finally, dj honesty (responsible for the respected honeydrop releases on cabinet) delivers an ebullient, elastic take on yohji , drawing out the vocal samples of the original and directing the groove more squarely at the dancefloor.

malin genie s warm, funk fuelled sound returns to blow some balmy vibes into your frostbitten souls, and he s sounding especially expressive on this effervescent new 12-. -snake scale- features all kinds of liquid funk notes pouring around the crisp house beat, channeling soulful tones without resorting to basic sampling. -bloom- is a more linear cut with a steady tech house pulse, but it s shot through with mysterious ambience that deepens the emotional impact of the track. -altrica- completes the ep with a smoked out trip into reduced, back room house subtleties for the blissed out crew to get psychedelic to

all aboard the super tuff 003! this vinyl only v/a sails from the brooklyn docks at dawn. walking up the gangplank first is our lead cartographer, australias dj heure, carrying the blueprints for ra-ia tropical, ambient cut that grows into a swell of birdsongs and synthesizer swells. stoking the coals in the boiler room is hot coffee, a richmond based producer who fires up on the verge for his vinyl debut. the aggressive and furiously anthemic tune pushes the ep past rough seas and sails us safely through the night. as morning arrives on the b-side, ship captain m. vaughan throws a life-raft overboard with the chugging, yet delicate man to man. and with time running out for the motley crew, austrian navigator tilman sets his compass for the sunset, keeping morale soaring with a day to remember ia finale track brimming with beautiful rhodes work and tender spoken words.

after the widespread acclaim for shoulders back and july v, leif fires up his 10 inch tio series with another pair of dazzling, future minded cuts for the more inquisitive dancefloor. increasingly he s been moving away from house and techno conventions towards intriguing broken beat variations, and that s apparent in abundance on this new release. bluebird rides on a set of tough but dynamic drum ripples, but the stand-out element is the gorgeous twinkling arpeggio that pirouettes over the top of the beat. number 13 meanwhile takes a moodier, dubbier approach without losing that deft programming, harmonic warmth and crafty rhythmic interplay that has become leifs calling card in recent times.

“kissing to be clever” is the debut album by culture club. originally released in 1982, it immediately put the band on the musical map. turning the flamboyant boy george into a star, the soulful pop outing incorporated elements of pop, rock, new wave, dance and caribbean rhythms and sprouted several international hit songs.
“do you really want to hurt me” hit the #1 spot in several countries and turned out to be a song that resonates to this day with its universal feel of heart ache. all in all, this set is a highlight of 80s pop music, that set the stage for one of the decade’s most loved and oft-remembered bands.
pressing on 180 gram audiophile vinyl.

to differentiate between his solo dance-oriented work to the darker tones, kaczmarek aka paul ritch launched his new album titled iiiiiiiiiiiiii on october 30th on his fresh imprint kczmrk. kczmrk is definitely a more personal project for paul, helping him define a newly found darker and more genuine taste to produce electronic music, which would even the most demanding audience left surprised. kaczmareks immersive sounds on his debut album were highly supported by respected artists of the underground scene such as sterac, vril, lewis fautzi, vsk and djedjotronic, who will contribute reworks that will come out in a remix ep in february 2018. the 12inch is gently introduced with a sophisticated remix of iiiii by techno pioneer sterac aka steve rachmad, continuing with vril’s remix of iiiiiiiiii who delivers beautiful ambient tones in a euphoric travel of sound. the b side begins with emerging talent lewis fautzi and his iiiis remix in a deep and hypnotic cut, followed by the curtesy of vsk and djedjotronics remixes of iiiiiiiii. vsk sticks to the dark and hard forms of techno with glimmer of deeper and industrial sounds while djedjotronic enrich kaczmareks dark techno tones with some futuristic idm.

american musician aaron spectre turns up the volume with four tracks of jungle punk rock intensity, continuing his mission of uniting cultures at their roots. here we have four tunes of guitar, relentless amens, deep bass, and soulful soundclash vocals, ready to rumble your space of choice. also on the menu is a collaboration with fellow ragga junglist feyder, rounding out a brilliant ep which inspires and shakes foundations.

dedicated to giving newcomers an honest platform to showcase their talents, this run of compilations is to be comprised of crystalline electronic music, spanning out across various forms. the inaugural offering sees villanova and time team up to reshape la chicas oasis with brushstrokes of subtle melancholy, teho fuse contemporary deep house with ukg and yeuz pair of idiosyncratic compositions, for the modern dance floor. label founder, agoria, ventures south of one hundred and ten beats per minute on his remix of embers, cloaking stefan smiths original in humility and innocence. a few words from the artists … about their tracks oasis: the original track brings us a very unique vibe, the work of the analog textures implement perfectly the unique voice of la chica …as soon as i listen to it i was hooked to make a remix that would keep the same feeling .. but adding the energy and dynamic to make it floor friendly. embers: other than music, stefans only other passion in life is reading samuel beckett. whilst reading his radio play embers he got a call from nicolas becker asking him to contribute some work to a project. he set about composing this track with becketts words reverberating around his head. this track somehow made it into the hands of becketts friend/collaborator agoria and here we are.

man power his raw electronic sound, organic flourishes and diverse selection make him a perfect match for dgtl, both on stage as well as on the imprint. next to releasing a steady flow of records on established labels like esp institute, optimo trax, correspondant and hivern discs, man power is running his own shop as well: me me me. this gives him an outlet to release music by both friends and himself. for his release on dgtl records he created a three-track ep called apologue ep, that showcases just two of different sides of his multi-faceted musical scope. the a-side features two firm, acid influenced tracks. the first of these two, the duelist, is an emotive house record, with a soundscape of piano melodies, synths and syncopated percussion laid on top of an acid bassline. el mago del tiempo features heavy hitting kicks combined with a sharp synth pattern. it has a long build up that keeps evolving throughout the entire composition. halfway through, the track breaks in to a raw and fierce rhythm accompanied by yearning, drawn-out synth pads. on the flipside, put your hands on the car (and get ready to die) brings back memories of a long gone past with nods to balearic pop, ebm, and the soundtrack work of stewart copeland, james horner, and jan hammer. this multi layered production has a warm and analogue sounding feel to it that rounds off a 3 dimensional release.

following up to three albums on kompakt since 2011, the latest being signs under test (kom321/komcd119) in 2015, los angeles based house and techno producer john tejada returns to the cologne-based imprint with his thirteenth full-length, dead start program - an eleven-track journey spanning a prismatic array of styles and patterns, from john s signature soulful techno tunes to the further mazy, hypnotic motifs of his trancey electro hybrids. be it solo or through a host of multifaceted collaborations, tejada keeps himself busy on all fronts in and off the club environment, be it by contributing the 44th number in fabric s seminal mix series, playing drums for detroit legend daniel bell (as dbx), testing the limits of acid with tin man or joining forces with the hilarious self-proclaimed disinformationist reggie watts as wajatta. since his beginnings and the drop of his debut 12inch, waxing , released through his own label palette recordings over twenty years ago, john has been carving out a lane of his own combining and assembling elements from all ends of his wide-spanning spectrum of reference in a way that allows a more direct transition from the realm of the mind to the circuits of the machine, as confirmed by the deliberately limited studio setup used in the making of the present album. navigating across the lines, from the arrhythmic machine spook of the album s opener autoseek via the straight out thumping and jacking pulse of hypochondriac and heavy-lidded breakbeat of sleep spindle onto the kosmische-infused vibrations of telemetry, vibrant slo-mo inertia of loss and wistful club-ready winds of duty cycle and heal, john threads his way through genres and tempos with optimal chameleonic effect. cloaked in a beautiful sleeve art courtesy of johns long time friend juan mendez aka silent servant another key contributor to the los angeles scene worldwide

zone look to irish artist and esteemed electro producer defekt aka matthew flanagan for their next ep. over the years this artist has become synonymous with proper techno and electro. his hardware based sound has won him fans all over the world and chief amongst those records is the 2010 mini album he released and which got hammered by legends like dave clarke. working on combat recordings, signal code and electronic explorations amongst others, his rugged drum sounds and modular synth style is textured and real and for that reason always stands out.

new flesh records 19 ever wonder what would happen at the first minuts of an alien in-vasion? answer can be found on geometric vision, the debut ep of hungarian electro don norwell on french new flesh records. real name balazs semsei, norwell has turned out a steady stream of releases on labels like dalmatia daniel, pinkman, chabu recor-dings, seagrave and his own farberwechsel imprint until now, always coming on strong with a personal artistic vision plus a sense of drama. across four craftily cuts on umwelts label, he revisits his own dystopian universe made of sonic frequencies fused into rich atmosphere with a strong array of emotions. from the haunting opener geometric vision to the explosive final conversation patterns, nor-well signs one of his best release to date. fascinating synth melodies supported by raw drums and insane electro textures compose this must have 12inch and an essential addition to the new flesh catalog. heavy electro darkness for serious heads, this is a soulful ep full of depth, impossible to ignore!

90s material from the man also responsible for the rex illusivii material we ve been adoring here. stunning again. download code included. artwork by emilija radoji&#269,,i&#263,,. tip! otherworldly, poetic, imaginative and full of exploratory spirit: the music of mitar suboti&#263,, aka rex illusivii aka suba is somewhere out there. pure spheres of sound, ruled by absolute expression and a sounding language beyond our notion of a language

following on from hashman deejay debuting his studio mody moniker as the first release on the newly formed sideline label headed up by salik, comes the second release by going good favourites e. corre and s. letelier (nummer) under a new alias detroit syndrome ... the label is keeping to the 3 track, low key presentation of the first release, with the focus being directed towards the music and continuing with a series that attempts to bring out a style that the artists may not necessarily be associated with. the direction given to the artists from the label is simple - do whatever you like, with the dance floor and longevity of music in mind.

after the widespread acclaim for -shoulders back- and -july v-, leif fires up his 10- tio series with another pair of dazzling, future-minded cuts for the more inquisitive dancefloor. increasingly he s been moving away from house and techno conventions towards intriguing broken beat variations, and that s apparent in abundance on this new release. -bluebird- rides on a set of tough but dynamic drum ripples, but the stand-out element is the gorgeous twinkling arpeggio that pirouettes over the top of the beat. -number 13- meanwhile takes a moodier, dubbier approach without losing that deft programming, harmonic warmth and crafty rhythmic interplay that has become leif s calling card in recent times.

tinnie house records present gratitude, the album by rafa kao and cam harris. question? what do you need to know when two deck magicians from brazil and aotearoa meld and mix up aroha and gratidao? answer: aurally that you ll experience an eight track kaleidoscope of unmissable, deep, dope, eclectic, techy, musical bliss, with a wee acidic twist and then some.. because just when you thought you were fully immersed in one tune on that dance floor, dink, blink and you ll totally be transmuted somewhere else with the next chink. whatever you do, as winter flicks autumn out the door? dont be the one who forgets to add this album to your non-chilled and lead me to the club warmers.

montreal-based outdoor enthusiast unknown mobile offers up his debut on normals welcome with this 12inch full of gentle hand drums and wavy melodies. percussion guides the way through levels of airy pads and catchy synth lines on 3 solo cuts. his dancefloor sensibilities then interlock with vancouver s amiable big zen for a spaced-out collaborative track on the b side.

hotmood (guillermo) gets his own label. the mexican wonderman is no doubt the king of this scene since the summer of 2016. and with a slew of sold out releases, this guy seems unstoppable. this ep is his funkiest work yet with 2 slamming upbeat jams plus a couple global funk heaters. hand-stamped.

growing bin burst into 2018 with a bang, crash and symbol splash, uniting a premier pair of per-cussion obsessives for a supernatural mission into the heart of the rhythm. dressed in the pitch black of du&#776,,sseldorf stands wolf mu&#776,,ller, master of the tropical drums and seven time salon des amateur breakdance champion. repping cologne and berlin is niklas wandt, germany’s funkiest drummer and a mixed musical artist as adept in experimental jazz as demen- ted euro dance. standing toe to toe in a no holds barred, no drum unstruck groove contest, these two titans will make you swing your pants like a crash bandicoot victory dance... so stretch out and step in to ‚instrumentalmusik von der mitte der world

danny krivit has been holding this edit release for a special occasion. now, his secret garage classic is revealed. remastered specifically for vinyl and sound quality, tested and approved by danny with shorty’s award winning sbs system in ny. this is another dancefloor hit which danny has been playing for a long time, people keep asking him -what is it?- you can get it now on vinyl only! joey took out the vocal and turned it into a instrumental disco track. it makes you dance from the beginning and keeps building till dancers lose their minds!!

sometimes there’s a huge talent out there and you desperately want the whole universe to discover it. that’s pretty much the story of parisian label chuwanaga with young french artist koji ono, composer and producer of these four precisely crafted gems, recording everything by himself. brilliantly mixed by greita from disques flegon, his first ep incognito is the product of a lot of influences, from metro area vibes to the original britfunk sound. with an inner sense of elegance in the arrangements - something we may link to his japanese heritage? - the whole ep brings musicality back on the dancefloor. we believe this could be the beginning of a great story for this talented musician, koji ono emerging from the incognito shadow to the whole light of the world. don’t miss out!

f*clr music are proud to present irish producer/dj, glenn davis and his debut release. a deep soulful affair aimed firmly at the dance floor fusing his love of all things chicago, detroit & nyc. the title track body & soul has its roots firmly in the strictly rhythm/nu groove groove a lush, organ driven banger that is guaranteed to incite hands in the air mayhem. ashley beedle & the north street crew put a different spin on body & soul giving it a spaced out, balearic feel while i ain t got nothing has got attitude and then some. the held string, melancholy chords and beautifully ethereal vocals take you to that tiny, dimly lit backstreet club in your mind you ve all been there the one you never want to leave. the gasping interjections on i feel it are underpinned by ominous synths while emotional intelligence takes you in an even darker detroit direction.

frag maddin s wizard like studio techniques don t need no black magic - just solid ingredients, being boiled in his studio cauldron. in the process, the old becomes the new again. this time, in its most musical form for kakudo records yet. his ep is a magical kaleidoscope of sounds and feelings that work their charms on our souls, brains and hips. think chicago, think nyc s kinky trax of the early 90ies, think silly amounts of bass and think flourishingly funked out synths making for an individual musical language with maddin. timeless sounds! point 0 is now, these ones will last!

georgi barrel rhyme goes on (w/hodini + kerem akdag remixes) (01/02) georgi barrelis a producer whose reputation is enhanced with every passing release. a musician in the truest sense of the word, barrel is a sound obsessive with a penchant for knocking out quirky and unusual -but always enticing - house music. from that perspective, his signing here to the istanbul/barcelona label,petra digital, is a snug fit. flanked by some fittingly complimentary remixes by hodini (of max graef and glenn astro s money $ex label) and kerem akdag (one of the istanbul s most exciting new producers), this is a release that s characterized by good-time vibes throughout.

doi records begins with ‘lightnesses’, two long-form recordings from the studio of composer and sound artist, william doyle, formerly known as east india youth. delivering two blissful, near thirty-minute takes across limited edition tape and digital formats, lightnesses is a sound experiment that pays tribute to the original ideas of ‘ambient music’, while nudging our expectations of the form.
emerging accidentally from unauspicious circumstances, lightnesses evolved during the recording of an as-yet unfinished album, when the coda of one track spiralled out into infinity in one long but ever-evolving drone, constantly shifting in form.

after releases by cez and ashac, high ends returns with an ep by thomas romain and his mother, famed free jazz pianist christine wodrascka. christine’s style is wholly unique: there are no barriers for her sonic exploration. sound matter, energy, forms, architecture and emotion all play a part in shaping the style of one the most unique musicians out there. with influences such as cecile taylor, terry riley or thelonious monk, no two wodrascka performances are the same. in his own irregular style, thomas adds a sense of swing to his mother’s improvisations. this fusion of acoustic and electronic creates wholly original experimental journeys which will delight the auditory senses of those listening.

ultramajic came into the possession of meticulously dated tapes from 1995 -1998 with sharpie inscription ashtar lavanda. we had never heard this name and google search didnt bring back many results. we had uncovered a hidden treasure of detroit electro. the ashtar lavanda tapes led us on a journey to find out who the producer behind the sound was, and furthermore how did this music never get released?

filigrane mixture betwenn techno, dub, acid and spaced out elements. odd even head honcho andre kronert performs a mesmerizing balancing act between two worlds. on the one side, there is the raw energy and explosive power of his ecstatic, repetitive rhythms. on the other side his style is characterized by subtle build-ups, filigree sound textures and the warmth of analogue synthesis. outstanding coverprint. shrinked and dj friendly 140g pressing. cut by cgb at dubplates and mastering. artwork by markus suckut and cover picture by salar kheradpejouh. manufactured by matter of fact.

dystopian dreams are often used by our minds to try out new, scary scenarios. they act as the perfect playgrounds because they combine elements of our real world with speculative elements that do not exist in&#8203, &#8203,real&#8203, &#8203,life.&#8203, &#8203,rumah&#8203, &#8203,enters&#8203, &#8203,into&#8203, &#8203,the&#8203, &#8203,second&#8203, &#8203,dream&#8203, &#8203,of&#8203, &#8203,dystopia&#8203, &#8203,conjuring&#8203, &#8203,up&#8203, &#8203,three&#8203, &#8203,dark&#8203, &#8203,and&#8203, &#8203,heavy,&#8203, &#8203,stompers.

reality check a one-off project from freddy turner & jason hernandez who dropped this soulful, street-tough slice of house on strictly rhythm back in 1998. this is one of those hidden gems, tucked away in the recesses of the strictly catalogue, so it may well have slipped by under the radar save for a few dedicated heads and vinyl junkies! it s got that nyc sound, hard drums, vocal samples, tripped out loops and stabs. perfect dj material if you re into the funked out stripped back house sounds of the mid to late 90s, this one will certainly be (in) your bag. fantasy has been given some tasty 2017 remastering treatment and repressed onto a high quality, weighty 12inch for all you fiends out there, this one will keep them moving in the mix. perfect nyc house sounds here, untouched and represented in its original 1998 form, no sleeping permitted!

terrence parker presents real love ep. this classic release never came out officially! only some limited white label copies were done thru serious grooves in 1994. as a bonus, terrence also included here an new version of -real love-. don t sleep on this!

chiwax proudly presents the new robert armani traxx series! featuring new and old releases from the chicago master, starting with the -grind ep- which came out originally 1997 on dance mania

psyfunk is a record series curated by franco cinelli, driving force of the south american underground dance music landscape and argentina’s most respected producer and dj. with psyfunk, cinelli provides a selection of minutely crafted and slowly-evolving extended dj tools. for this third chapter, cinelli calls on young upcoming talents from argentina and uruguay. opening up the a.side, bodeler lands with his reduced ghettotek funk, which is already one of the deadly dancefloor weapons of some of the most respected djs out there. irresistible! following up, is richard hz. other very promising artist on argentine grounds, hz provides here a burning break track, with clear touches of psychedelic acid and mystery. an ideal track to keep the floor floating in thin air. on the flip! alan castro, hailing from the atlantic coast of bahia blanca, produces here an intimate number packed with melancholy. jazzy relaxing swings under a sea of glitches, afterhour material. bringing this record to the runout is a wonderful and rare appearance of the uruguayan z@p. “mental telepathy” is resolutely funky and a clear flashback to the us midwest right when house became techno.